This stone figure represents a composite Brahmin god, Hari-Hara, and is a copy of a seventh-century stone statue in the Museacute Albert Sarraut in Phnom Penh, Cambodia. Robert Allerton had the copy made from a plaster cast he purchased at the…

Amazingly, these two slim, delicate images of Buddha were fashioned from single logs of teakwood. Students of the Royal School in Bangkok, Thailand, made them from prototypes Allerton selected in nearby wats (Buddhist monasteries or temples), waiting…

Mythological lion-dogs such as these are ubiquitous in Asian art, found in cemeteries, temples, shops, and domiciles and utilized traditionally as Buddhist guardian effigies to ward off demon spirits. Fabricated of materials such as stone, wood,…

On pylons in the Sunken Garden, looking very much like glittering sea creatures diving into a vast subterranean world, surfaces modeled in wonderful deep and shallow designs, teeth huge and fearsome, are sixteen guardian fish, reduced-scale versions…

Visitors usually call these stone figures "Chinese" musicians, but a closer look shows that their features are Western. The present sculptures are not those Allerton bought in England early in the century. Initially he obtained ten statues cut in…

Hidden almost from sight southeast of the Gatehouse is this unpretentious little stone shepherdess and her dog, which Allerton had Lew Wagy, a Monticello gravestone carver, adapt from an eight-inch-high German porcelain figurine in the house. The…

Allerton bought a pair like this one early in his residency at the Monticello estate, but because of vandalism the figure of the shepherd recently had to be replaced. He no longer holds a long shepherd's crook as he did in the original. The…

Inspired by Dante's Inferno, Rodin conceived his original Adam and Eve as figures to flank The Gates of Hell, a huge bronze portal commissioned for the Museum of Decorative Arts, Paris, that included 186 high-relief and freestanding dynamic figures.…

Probably dating from the late nineteenth century, the park Venus is a close copy of Canova's famous Venus Italica in the Pitti Palace, Florence. Allerton bought the copy from a European dealer and had it placed in a small latticed pavilion in the…

Two pairs of stone lions look down from pillars at either end of a long gravel pathway near the greenhouse, one pair made before 1922 in Chicago from originals Allerton owned, the other in Indiana in 1976. John Allerton's recollection was that the…

Allerton bought Lili Auer's Girl with a Scarf at the Chicago Art Institute's annual Exhibition of American Painting and Sculpture, 1941-42, and had a special place prepared for it in the center of the Brick Garden. It was the last piece he acquired…

The placement of Kuöhl's darkly patinated bronze figures at either side of a gravel pathway leading to the Brick Garden nicely relates them to the meditative Girl with a Scarf just beyond. In Art Deco style, they are mounted frontally on John…

Based on a Roman original in the Naples Museum, this little garden statue is located near a path leading from the parking lot to Allerton House. The sharply pointed ears, animal skin about its neck, wine sack resting on the knee, and distinctly…

Two odd marble statues-partially draped, truncated, demure armless female nudes on decorated, tapered shafts stand against the back terrace brick walls of Allerton House. Renaissance-type figures such as these are sometimes adapted by architects for…

Two erect stone figures, copies of a bronze Charioteer of Delphi made for the Art Institute of Chicago from the Greek original, stand on pillars at a park entrance. Each of the statues had just one arm at first, as does the ancient prototype, which…